October 26th 2020: Abstraction

Sometimes when I’m out shooting, all I can look at are patterns and shapes and textures. I seem to get captured by them. I’m supposed to be the one “capturing”, but most of the time, the tables get turned on me. I’m fascinated by things like “Figure/Ground” relationships, and maybe that’s why black and photography just seems to work for me. I keep thinking of another artist, Anselm Kiefer when I look at my abstract images of dirt, rocks, hay and brambles—not to insult Anselm. I like his work a lot.

The circle of rocks were just sitting there like that. It reminded me of one of my favorite artists, Andrew Goldsworthy. And maybe I like Andrew Goldsworthy because his work reminds me of the inherent patterns in nature—he just has a gift for amplifying them. Strong shadows also always pull me in—but then there’s that figure/ground thing going on—abstraction seems to be the result.

I guess there are different levels of “abstraction”. Sometimes I can’t even tell what the thing was or where it came from when I look at some abstract photographs. But these still have enough of the context within them, so maybe I should call them “Semi-Abstractions”. Who cares, right?

September 21st 2020: Critters+

The visit to Sicily was one of the best of my life. I loved the place, the people, everything about it. Maybe it was the history of the place that kept getting to me. It’s unavoidable. It’s everywhere: Greeks, Phoenicians, Arabs, Romans and probably many others as well. Some of the other shots are taken here in Santa Fe, NM.

Then, of course, dog pictures. That’s a recurring theme for me. Well, animal pictures in general hold some special allure.

The Roman villas and artwork in the form of mosaics are stunning. The level of craftsmanship and artistry was overwhelming at times. Talk about an embarrassment of riches.